Friedl vom Gröller Movies

This was supposed to be a trial film for the artist to test her defective camera. In Allegory, Friedl vom Gröller stands in the foreground of...

Four young women present themselves seductively, self confidently and with some signs of shame. The camera´s low angle creates – in spite...

In a series of films made in the 1990s Friedl Kubelka introduced a new element: her participation in the film by interacting with the subject. These...

A day inside the charming hair salon of Veronique Gizard, on the corner of Rue de Bagnolet and Rue Planchat in Paris’s 20th arrondissement....

What goes missing in a time when mouths are covered by masks? At the beginning you see a set of replacement teeth. This still life opens the film,...

NEC SPE, NEC METU follows upon Gutes Ende (Bliss) and Ich auch, auch, ich auch (Me too, too, me too), and it is the third film of Friedl vom...

The filmmaker Friedl vom Gröller films herself and her colleague, the filmmaker Christiana Perschon. A projector casts images from an earlier...

The story of a triangle. Two people in a hotel room. A love story. Or rather, the idea of ​​a love story. A cinematic story. Everything...

An experimental film.

Endure tension, endure intimacy.

A 2010 silent short film directed by Friedl vom Gröller. The film screened at Hong Kong International Film Festival in 2011.

Dedicated to the Paris Poetry Circle, this film captures the filmmaker's yearning for and unbridled interest in the human face. Poems are recited,...

A pan along a gallery of large washing machines in a laundromat. Two women speak sign language and a third feeds coins into the machine. Language is...

A bowl on the ground. The fallen leaves around it reference autumn. A letter enters the frame—aged hands tear it up, and its pieces fall into...

A group of people in a room eating pizza, drinking, conversing, perhaps having a party.

In this work the situation of shooting film as experienced by the subject and filmmaker is most clearly visible in the loving and then hurt facial...

A tiny picaresque set in Paris chronicling Kubelka’s coy encounter with an unnamed man.

The continuation of a portrait of Gaelle Obiegly. The focus of the film is not a portrait, but rather a wide variety of cable cords in a cellar,...

Past the newsstand, the hairdressers, by the dry cleaners. A door opens into a sick room. A very old woman lies there in her bed. Her body is...

Oppressive and childlike, erotic symbols and surreal moments.